Friday, April 29, 2011

The Apple Tree by Katherine Mansfield: An Analysis

The Apple Tree is a short story of the British author Katherine Mansfield who was best known for her short stories. Her stories display sensitivity to emotion by giving attention to the inner conflicts of the characters. Hence, the short story, The Apple Tree, also project these subtle characteristics.

The story begins with the description of the setting. The setting was on a house where two orchards grow. The first orchard was describe by the narrator as “One, that we called the “wild” orchard, lay beyond the vegetable garden; it was planted with bitter cherries and damsons and transparent yellow plums. For some reason, it lay under a cloud; we never play there, or did not even trouble to pick up the fallen fruit.” The other is described as “But the other orchard, far away and hidden from the house, lay at the foot of a little hill and stretched right over to the edge of the paddocks – to the clumps of wattles bobbing yellow in the bright sun and the blue gums with their streaming sickle-shaped leaves.” Though two orchards were mentioned, the story focused on one orchard.

The story continues with the rising action when the narrator’s father found the forbidden tree during an after-dinner prowl one Sunday afternoon. Henceforth, the father was described by the narrator. According to the narrator, his father doesn’t know about the names of fruit trees – “He knew nothing whatever about the names of fruit trees.” The narrator also says that her “Father was a self-made man, and the price he had to pay for everything was so huge and so painful that nothing rang so sweet to him as to hear his purchased praised. He was young and sensitive still. He still wondered whether in the deepest sense he got his money’s worth.” – this means that his father was a hardworking, rich and extremely reflective especially on money matters. The father is also firm, strong and strict as reflected on these lines “Don’t touch that tree! Do you hear me, children!” said he, bland and firm; and when the guest had gone, with quite another voice and manner.’’ And “If I catch either of you touching those apple you shall not only go to bed – you shall each have a good sound whipping!”

The rising action started on the blooming of the apples. When ripened, father, Bogey (narrator’s brother) and the narrator went to it to taste the fruit.

The climax occurred when the children took a bite on the apple, “I kept my eyes on Bogey. Together we took a bite. Our mouth was full of a floury stuff, a hard, faintly bitter skin – a horrible taste of something dry.” This was followed by the denouement. The two stared each other, chewing and swallowing while deciding on what to say to their determined father. “Bogey and I stared at each other, chewing desperately. In that moment of chewing and swallowing a long silent conversation passed between us – and a strange meaning smile. We edged near Father, just touching him.” This resulted to the conclusion that both lied, ““Perfect!” we lied. “Perfect – Father. Simply lovely!”” but their lying was no use for their father already tasted the apple and spat it out of his mouth; decided to never went back to the apple tree again.

For the characterization of Bogey and the narrator, whose name is not mentioned, are good kids to their father. They enjoyed childhood and feared their father as introspected in the story.

The point of view is first person. A narrator is telling his past experiences about an apple tree which anonymously grew inside their property.

The diction of the story is informal. The author used simple, compound and compound-complex sentences: simple – “There were two orchards belonging to the old house.”; compound – “Father spat his out and never went near the apple tree again.”; compound-complex – “And now we played up to him, Bogey and I, Bogey with his scratched kneed pressed together, his hands behind his back, too, and a round cap on his head with the H. M. S. Thunderbolt printed across it.”

Figures of speech were also used by the author. Allusion and metaphor – “The apple tree – like the Virgin Mary – seemed to have been miraculously warned of its high honour, standing apart from its fellows, bending a little under its rich clusters, fluttering its polished leaves, important and exquisite before Father’s awful eye.” The apple tree was compared to the Virgin Mary and the characteristic of her is explained after. Verbal Irony – ““If I catch either of you touching those apple you shall not only go to bed – you shall each have a good sound whipping!” Which merely added to its magnificence.” The narrator is talking about his father warning them not to go to the precious apple tree and he added in the end of the statement that it is magnificent. This contradicts what the father has said. Hence it’s a verbal irony. Hyperbole – “It looked as though the apple had been dipped in wine.” The author exaggerated the description of the apple imagining that is dipped in wine. Repetition – “I knew it, while I took mine humbly and humbly Bogey took his.” The word humbly is repeated twice. Thus, it is repetition.

Imageries cannot be absent in a story. The short story stimulates the visual, gustatory, kinaesthetic and olfactory. Visual – “The apples turned from pale green to yellow, then they have deep pink stripes painted on them, and the pink melted all over the yellow, reddened and spread into a fine clear crimson.” Gustatory – “Our mouth was full of a floury stuff, a hard, faintly bitter skin – a horrible taste of something dry.” Kinaesthetic – “He laid one apple down, opened the pearl pen-knife and neatly and beautifully cut the other to half.” Olfactory – “He put it to his nose and pronounced an unfamiliar word. “Bouquet! What a bouquet!” And then he handed to Bogey one half, to me the other.”

The narrative devices used in the story is flashback. That narrator recalls an experience of his life.

The conflict of the story is ignorance vs. reality. The father considered the apple tree as it is but it is not when they figured out the taste of the fruit is not of an apple. The illusion of considering the fruit an apple contradicts reality of what it really is. This is due to the ignorance of the father to the names and images of the fruit trees.

The tone of the story is humorous. The effect of a child narrating an experience has a great impact to a reader. The author used ironies to create a humorous tone perceived.

Values are important to a story. The values present on the story are obedience, honesty and hard-work. Obedience is reflected on the characters of Bogey and the narrator. They present to us obedient children to their parents. Being obedient to parents are important because parents know the best for their children. Hard-work is also conveyed in the story. This value is reflected to the father. The father is hard-working which resulted to a stable life his family lingers.

The theme of the story is ignorance can blind you from the reality. A man’s unawareness of the reality can lead to misfortune. Hence, man must be aware of the reality in order for him to be informed.

Gathering Leaves: A Brief Study

Robert Frost’s poems mainly reflect life in rural New England, and the language he used was the uncomplicated speech of that region. Although Frost concentrates on ordinary subject matter, he evokes a wide range of emotions, and his poems often shift dramatically from humorous tones to tragic ones. Much of his poetry is concerned with how people interact with their environment, and though he saw the beauty of nature, he also saw its potential dangers.

The poem literally means the chore of gathering fallen leaves in the autumn season. People enjoy the excitement it gives as they rake and clean their porch or yard. Effort and perseverance are needed for this work to be done, but leaves don’t stop to fall. Every time people clean it, there are surely another to replace it. However, people knowing that the chore is useless, don’t get tired of raking it for they know that it needs to be done. If they don’t do it, unpleasant occurrences will happen in their premises. It may be flooded by fallen, rotten leaves and wild animals start to live there.

Symbolically, the poem is related to the lives people are cherishing. People know that at the right time, their time on earth will end, but they still enjoy life to the fullest. Like the gathering of leaves, people do things in order to continue living. If they don’t continue living and doing something for the welfare and progress of their lives, like the fallen leaves that are left untouched in a porch, life will be like rotten, awful and unhappy.

Theme Analysis of Three African Tribes’ Poems: The God of War - Yoruba Tribe ,The Sorrow of Kodio – Baule Tribe, Death – Kuba Tribe (Africa)

The God of War

Yoruba Tribe

He kills on the right and destroy on the left.

He kills on the left and destroys on the right.

He kills suddenly in the house and suddenly in the field.

He kills the child with the iron with which it plays.

He kills in silence.

He kills the thief and the owner of the stolen goods.

He kills the owner of the slave – and the slave runs away.

He kills the owner of the house – and paints the hearth of his blood.

He is the needle that pricks at both ends.

He has water but he washes with blood.

The Sorrow of Kodio

Baule Tribe

We were three women

Three men

And myself, Kodio Ango.

We were on our way to work in the city

And I lost my wife Nanama on the way.

I alone have lost my wife

To me alone such misery has happened,

To me alone, Kodio, the most handsome of the three men,

Such misery has happened.

In vain I call for my wife,

She died on the way like a chicken running.

How shall I tell her mother?

How shall I tell to her, I Kodio,

When it is so hard to hold back my own pain.

Death

Kuba Tribe

There is no needle without piercing point.

There is no razor without trenchant blade.

Death comes to us in many forms.

With our feet we walk the goat’s earth.

With our hands we touch God’s sky.

Some future day in the heat of noon,

I shall be carried shoulder high

Through the village of the dead.

When I die, don’t bury me under the forest trees,

I fear their thorns.

When I die, don’t bury me under forest trees.

I fear the dripping water.

Bury me under the great shade trees in the market,

I want to hear drums beating

I want to feel the dancer’s feet.

Introduction

Ideas about what constitutes death vary with different cultures and in different epochs. In Western societies, death has traditionally been seen as the departure of the soul from the body. In this tradition, the essence of being human is independent of physical properties. Because the soul has no corporeal manifestation, its departure cannot be seen or otherwise objectively determined; hence, in this tradition, the cessation of breathing has been taken as the sign of death (Frederick, 2009). In tribal Africa, death is neither the end of life nor the gateway to immortality. It is rather a stepping stone between generations, a link with one’s ancestors and one’s descendants (Nolen, 1972). The living and the dead are in continuous contact and a large part of the religious life of the African is devoted to establishing a harmonious contact with dead (Bier, 1988). Death and dying has always been an interesting issue to understand and interpret. Each person has his or her own view of death and attitude towards it. However, the society as the main influencer has a huge impact on people’s perception of death. The attitudes of the society towards death have been changing over the time. Fear has always been one of the most common attitudes towards death. However, today’s society has developed many other attitudes.

Discussion of the Theme

The images of death in Africa bring sorrow and pain as Africans struggle in turbulence.

In the three poems, The God of War – Yoruba Tribe, The Sorrow of Kodio – Baule Tribe and Death – Kuba Tribe, are conveying images death as theme. The three tells about the how Africans die; what is the impact of death to the people; and how they determine their situation when they are dead.

The first poem, The God of War, is a poem written by an anonymous author of the Yoruba Tribe - numbering over 12 million, are the largest nation in Africa with an art-producing tradition. The poem discusses the war as a prime agent that causes death to many Africans as seen in this citation, He kills on the right and destroy on the left. He kills on the left and destroys on the right. There are many wars that happened in Africa that cause severe damage and dreadful death to its people. One of these war is the Boer War[1], conflict in southern Africa between Britain and the allied, Afrikaner-populated Transvaal[2] and Orange Free State, in what is now South Africa; also known as the South African War (Encarta, 2008). Africa’s wars in the 1990s were all very different in their specifics. But they shared a number of important characteristics. First, one of the main underlying causes of these wars was the weakness, the corruption, the high level of militarization, and in some cases the complete collapse, of the states involved. Secondly, they all involved multiple belligerents fighting for a multiplicity of often shifting economic and political motivations. Thirdly, they all had serious regional dimensions and regional implications. And fourthly they were all remarkable for the brutality of the tactics (ranging from mass murder and ethnic cleansing, to amputation, starvation, forced labour, rape and cannibalism) used by belligerents to secure their strategic objectives (Porteous, 2004). War has been one of the reasons of turmoil and chaos on a land as observed in these citation, He is the needle that pricks at both ends. He has water but he washes with blood. Death comes to the people wherein a war happens like in Africa. In the poem, it is specifically said that there is a god of war. War, in the poem, was personified as a man who can ruin and give extreme devastation to his fellow man and country.

The second poem is The Sorrow of Kodio. It is written by anonymous tribesman belonging to the Baule clan - is one of the largest ethnic group in the Côte d'Ivoire[3]. Readers can particularly say that the setting of this poem is, perhaps, in the duration of a war. The persona evokes the feeling of sorrow as he is travelling with his wife and other tribesmen when an unfortunate event happened – his wife was being killed on the way to their destination as it is cited on this line, We were on our way to work in the city. And I lost my wife Nanama on the way. Thus, persona is grieving to her dead wife - Such misery has happened. In vain I call for my wife, She died on the way like a chicken running. Same as the first poem, this poem depicts an image of death cause by riots and unrest in Africa. The poem also conveys grievances of the mourners.

In the third poem, Death by an anonymous Kuba tribesman is about the image of death of someone who is waiting for death to come. Kuba tribesmen live in the area of central DRC[4] bordered by the Sankuru, Kasai, and Lulua rivers. As noticed in this citation, With our feet we walk the goat’s earth. With our hands we touch God’s sky. Some future day in the heat of noon, I shall be carried shoulder high Through the village of the dead, the persona unleashes the idea of people living in earth, praising God and in the end will die and be dead. This comes to a conclusion that the persona is waiting for the time of his death. He also stated how he wants his burial to be here in this citation, When I die, don’t bury me under the forest trees, I fear their thorns. When I die, don’t bury me under forest trees. I fear the dripping water. Bury me under the great shade trees in the market, I want to hear drums beating I want to feel the dancer’s feet. The persona indicates specifications of his burial like he wants to be buried under the great shade trees in the market, to hear beating drums and to feel the dancer’s feet. In short, even he has a life full of misery on earth, he wants to die happily. At least in heaven the persona can feel tranquillity and happiness.

Conclusion

To wrap up, the three poems convey the different images of death in Africa. The images of death in Africa are practically haphazard and harsh due to the poverty-stricken lives of Africans, misleading issues of politics that all leads to war and chaos and the illnesses such as AIDS[5]. The people in Africa believe that death, although a dreaded event, is perceived as the beginning of a person's deeper relationship with all of creation, the complementing of life and the beginning of the communication between the visible and the invisible worlds. The goal of life is to become an ancestor after death (Mbiti, 1969). These beliefs somehow counterparts all the hardships the Africans who have died felt when they were still living. Hence, the images of death in Africa are all crucial and it is their ticket to a happy and contented soul.

Works Cited

Bier, U. (1988). Black Orpheus. African Poetry: Death .

Encarta, M. (2008). Boer War. Redwood, WA, USA.

Frederick, C. J. (2009). Death and Dying. Redwood, WA: Microsoft Encarta.

Mbiti, J. S. (1969). African Religions and Philosophy. London: Heinemann.

Nolen, B. (1972). Africa is Thunder and Wonder. New York: Scribner.

Porteous, T. (2004, October). Resolving African Conflicts. Wars in Africa: The Magazine .



[1]This happened on 1899-1902.

[2] South African Republic

[3] Ivory Coast

[4] Democratic Republic of Congo

[5] Acquired Immune Deficiency Syndrome – a disease of the immune system caused by infection with the retrovirus HIV, which destroys some types of white blood cells and is transmitted through blood and or bodily secretion such as semen.